摘 要
清代中期（乾隆——道光時期），是已經進入晚期的中國封建社會由迴光返照向崩潰衰亡的轉折時期。在這個夜氣如磐，新舊社會思潮激烈鬥爭的動盪時代裡，中國古典小說達到了高度成熟的階段，形成了小說史上的最後1個創作高潮。李汝珍的《鏡花緣》，就是這個最後高潮裡面出現的1部長篇傑作。李汝珍用他神話般傳奇的大筆，駕馭其高超的諷刺之舟，憑藉奇特的想象、大膽的誇張，說的似乎只是神話故事，實際卻有現實的影子，是現實生活的漫畫。並在這幅漫畫里加入了熾熱的理想，從而構造了1個光怪陸離、5彩繽紛的虛幻世界。在這諷刺之舟裡，李汝珍化身其所鍾愛的理想人物唐敖父女，時而寫實、時而誇張，嬉笑怒罵道盡其不滿；時而在變形、怪誕中暗藏深義，象徵中透露著心緒，對比中表現著進步的思想，成全了理想世界裡1場鏡花水月的`夢中夢。本文試從諷刺藝術的角度入手，對作品中的諷刺物件、諷刺技巧及諷刺目的予以探討、研究。
關鍵詞：《鏡花緣》；諷刺物件；諷刺技巧；諷刺目的
ABSTRACT
The Qing Dynasty intermediate stage (does the prosperous - Daoguang time), was already enters the later period the China feudal society by to return to consciousness just before dying to the collapse declining transition time. In this night of gas like plate, in the new old society ideological trend intense struggle turbulent time, the Chinese classical novel had achieved the highly mature stage, has formed in the novel history last the creation high tide. Li Ruzhen "Mirror Colored Reason", is inside this final high tide appears last the lengthy outstanding construction. Li Ruzhen with his myth legend big pen, controls boat o af the its excellent satire, relies on the unusual imagination, the bold exaggeration, said iss if only the myth story, actually has the reality actually the shadow, is the real life cartoon. And has joined the blazing ideal in this cartoon, thus structure grotesque and gaudy, multi-colored unreal world. Boat of in this satire, ideal character Tang and his daughter which the Li Ruzhen incarnation its cherishes is haughty, from time to time practicalizes, exaggerates from time to time, writes freely it not to fill; From time to time in the distortion, the weird center hidden deep righteousness, in the symbol was disclosing the state of mind, in the contrast is displaying the progress thought, has helped in the ideal world in an illusion dream the dream. This article tries from the satire art angle to obtain, to in the work satire object, the satire skill and the satire goal discusses, the research.
Key words: The Mirror Colored Reason; Satire object; Satire skill; Satire goal
