摘 要
克勞德•阿希爾•德彪西是19世紀末20世紀初的法國印象派音樂的創始人。印象派音樂標誌着西方現代音樂的開始。
克勞德•阿希爾•德彪西的歌劇《佩利亞斯與梅麗桑德》是德彪西創作的唯1的'1部歌劇，和他的其他鋼琴、管絃樂作品1樣帶有印象主義風格，是他創作成熟時期（1900~1910）的作品。這部20世紀最重要的法國現代印象派歌劇是歌劇史上風格獨特、極附有創造力的劃時代的傑作，同時對於豐富現代音樂作品、開拓現代音樂技法、尤其是開拓新的歌劇風格等作出了有益的嘗試和積極的影響。
本文透過查閱大量的有關文獻，對照曲譜及其音響，努力以音樂本科生的理論認識水平來了解歌劇《佩利亞斯與梅麗桑德》在音樂語言上的印象派表現特徵對20世紀現代音樂特別是對現代歌劇創作重要的啓發性意義。
關鍵詞：《佩利亞斯與梅麗桑德》；法國印象派歌劇；西方現代音樂； 印象派語言特徵
ABSTRACT
Claude-Achille Debussy is father of French impressionist music in the late of 19th century and the early of 20th born of impressionist music is the symbol of the starting of western modern music.
Piliyasi and Meilisangde is the opera that composed by Debussy and it is his only opera ng his composed maturing perrod(1900~1910),he composed other panio and orchestra well as his opera works are all with impressionist yasi and Meilisangde,the most important French modern impressionist opera in 20th century,is not only the cross-century masterpiece in opera history with uniqe style and imagination,but aslo fully and completely decidated to enrich modern music works and reclaim modern music skills,especially in new opera style field etc.
As a under-graduate student in Music Department,the auther searched plenty related documents,compared with music and its acoustics,applied his learned knowledge、skills and acquired information to study the impressionist characteristics of the opera Piliyasi and Meilisangde,in music language and its profound enlrghtening effection on modern music in 20th century ,particularly on composing modern.
Key words: Piliyasi and Meilisangde; French impressionist opera; Western modern music; Impressionist characteristics
